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In the mantis' gaze

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Published: 25 May 2025 › Updated: 25 May 2025In the mantis' gaze

In the mantis' gaze

I tell myself — and everyone who wants to hear — "I am looking for beauty."

The reason I say that is to remind myself of a way of being.

I want to keep my eyes open. And when I say beauty, I don't mean according to the standards of Western society — the one I grew up in.

I can find some insects beautiful. For most people, insects seem disgusting or scary.

But I’ve often looked deeply into the eyes of a praying mantis and felt completely lost in them. There’s something in their gaze — an optical illusion — that makes it look like space itself is staring back.

Lately, I’ve been reading about Haïkus, those Japanese poems with a very strict form: They are made of three lines, with a 5-7-5 syllable count.

That’s what most people in the West know about Haïkus — and you’ve probably read some written by non-Japanese authors. But there’s more to them. Much more.

That’s because Haïkus are rooted in a deeper way of seeing the world — one that the Japanese (or at least their ancestors) cultivated. In the West, we often focus more on words than on meaning. In a true Haïku, it’s the experience that matters — and it should be connected to the rhythm of nature.

A real Haïku always contains a reference to the season. It captures the highlight of a fleeting instant.

Everything in it comes from open observation of the environment and amazement at the sight of Life itself — happening right here, right now — and repeating in an endless cycle.

That is what I’m trying to do when I say I look for beauty.

Haïkus are traditionally rooted in the natural world, but I try to carry the same spirit even in urban settings. To me, humans are part of nature. Even what we build — our cities, machines, and art — is an expression of natural behavior. But that’s another topic...

And you? Have you heard of Haïkus before? Would you call yourself a seeker of beauty?

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