Alhambra. Tessellation Patterns In Islamic Art.
Within the wonderers of the world there are hundreds of designers who feel very attracted to Islamic art, the same that manages to generate emotions of tranquillity, peace and at the same time with a touch of elegance in its geometric decorations. One of the main places that house this type of art is Alhambra in the city of Granada in Spain, where we can see a lot of murals, gardens, fortresses decorated with this ancient Islamic art. Let's take a moment to learn, investigate and communicate details related to this type of art, together with its history, types of Islamic art, current use and of course representations of this trend of the world of interior decoration. So, if you're curious about these perfectionist tendencies, here is Alhambra as a representation of an Islamic geometric pattern in art.
Collonade - The Court of the Lions, Photo:
The Court of the Lions, Photo:
Courtyard of the Palace of Charles V, Photo:
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The application of zelliges is mainly to cover walls and floors with patterns that are exceptionally attractive for the designs of mosaic, composition and colours. The most common forms are a star, a square, a cross, an octagon combined with a cabochon etc. See below the palette of zelliges most used in the city of Alhambra.
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Blue: used for the so-called tiles, they are made with mixtures of enamel powder brought from other countries, the intention is to make the zellige look bright, for this a cobalt arsenide casting is used.
Brown: this colour is obtained through the mixture with local minerals, such as manganese or oligisto, depending on the presence of these minerals in the mixture can have darker shades until they reach black.
Yellow: This colour is achieved with the presence of ferrous minerals such as limonite or stibnite.
The colour palette of zelliges is very wide today, due to the fact that there are hundreds of different shades and all can be achieved through mixtures with powder colours.
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References
Photos: @highonthehog
Images: sources linked below
Irwin, R., The Alhambra. Cambridge, MA: Harvard University Press, 2004
Jones, O.; Bedford, F., Moresque Ornament from the Alhambra, The Grammar of Ornament, Day & Son, pp. 127–143, 1856
Roxburgh, D. J., (ed.). Envisioning Islamic Art and Architecture. Essays in Honor of Renata Holod, Leiden & Boston: Brill, 2014
Al-Andalus : the art of Islamic Spain / edited by Jerrilynn D. Dodds http://libmma.contentdm.oclc.org/cdm/compoundobject/collection/p15324coll10/id/45966/rec/1
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